What People say about Bingham & Thorne:
"Bob and Gordon have spent enough time living the life to make them sound like two people playing the same guitar. Their parts flow seamlessly together like Lang and Johnson, Kress and McDonough, or Memphis Minnie and Kansas Joe. That wood-shedding flavor is here and it makes their music feel like an extension of the tradition from which it comes. What mainly distinguishes the significant from the mediocre in playing traditional music is the ability to absorb the tradition without mimicking it; to build on the material that has gone before, adding depth and clarity to it. Bob and Gordon have avoided the trap of duplicating someone else's great licks. Instead, they have chosen to recast songs from the blues bag, informing them with their own feelings and advanced technical styles. The second and perhaps the most important feature of good blues playing is to deliver the tunes with an air of unfettered unlabored comfort. It's no trick, but rather the result of years of practice and performance that allows an artist to appear to toss off the most complicated licks and lyrics with an offhand ease. So throw another log on the fire, turn your lamp down low, and sit down and listen to a couple of paid-up bluesmen."
-Dave "Snaker" Ray
"Emerging from their self-built homes in the Northeastern Minnesota woods for the last times in 2009, Bob Bingham and Gordon Thorne offer listeners a double-shot of classic acoustic fingerstyle guitar blues at its finest. Sets by Bingham & Thorne are comfy, chatty, and casual, yet also compelling and commanding, as these old friends display the happy results of decades of closely studying Blind Blake, Rev. Gary Davis, Mississippi John Hurt, Robert Johnson, and other masters of the 78 rpm era. Not just pickin' wizards, Bingham and Thorne are excellent soulful singers, too -- Gordy may even remind you of the late, great Dave Ray at times.
-Tom Surowicz, Minneapolis Star Tribune
""2" is a right and natural progression from the first disc, the presence and power seem up a notch. As for the crisp and clear recording, Eric Swanson really got it. The material conveys the old bluesman swagger and sorrow. The voices complement each other nicely and who knows, could send some ass-kicking holler-response style song to the heavens. Well done gentlemen. "
-Wayne Arnzen, Good Harbor Hill Huckster
"Bob Bingham and Gordon Thorne make up one of the finest ad hoc acoustic blues duos in the country. Only a select crowd of hipsters is aware of their offhand wizardry. This is blues at its coziest and least histrionic, with expert, agile, non-flashy guitar work, impeccable taste in "cover" tunes (some dating back to the 1930's), and vocals so natural and fine that fans of the late, great Dave Ray will approve."
-Tom Surowicz, Minneapolis Star Tribune
"The blues has always been about surprises.
Even a grizzled veteran blues aficionado like me was in for them on Bob Bingham's and Gordon Thorne's new disc simply titled "2".
These two North Shore performers, who collectively have decades of experience and thousands of gigs under their belts, have produced a well-rounded acoustic blues disc that combines classic tunes, a few under-recorded chestnuts and a couple of originals. It's a great testament to what two guys with a couple acoustic guitars, talent, good taste and great material can do.
Surprises included Robert Johnson's oft-recorded (everyone from Eric Clapton to Keb' Mo' to Jonny Lang and thousands more) 1930's blues standard, "Ramblin' On My Mind." I thought I had heard every conceivable take of this 12-bar standard, but I was wrong. Gordon Thorne's clanky 12-string gives on ominous tone throughout text about a mistreated man who's gonna pack his kit and move on down the road. The pure resignation in Thorne's voice as he spits out "Mister Gotta Have Is Wearin' Me Out!" is worth the CD's price.
The syncopated elegance of Mississippi John Hurt's "Can't Be Satisfied" fits Bingham's vocal style and gives the twin guitars a chance to shine. Hurt's style is deceptively difficult to pull off. Less talented artists can miss all the prance that made his music so special. Bingham plays like he was raised in the Delta, with smooth, dexterous execution.
The incredibly pliable "Mystery Train", which has been in the repertoire of countless groups from every conceivable genre (bluegrass, rockabilly, country rock, electric blues) is given a reading here. Bingham's voice, which sometimes sounds a bit too much like a white-suited enigmatic ragtime parlor guitar player, and Thorne's countrified wail reminded me, to my surprise, of what this tune would sound like if recorded in duet by Leon Redbone and Marty Stuart.
Bob Bingham hails from the Boston area. He and his younger brother, Charlie (Lamont Cranston Band, The Hoopsnakes) moved across the country with a stop in Ann Arbor, Mich., and landed in the Twin Cities. The brothers are simply the best blues guitar playing siblings on the planet, bar none. The Vaughans have nothing on this pair. The authority and power with which they play the blues is singular and totally their own.
New in town, Bingham met the Hayes brothers (Pat and Larry) by chance in Hamel, Minn., and helped form the Lamont Cranston Band in 1969. He's been the guitar player in many electric blues bands over the years, including Luther Allison's band, Live Bait, Aces Straights & Shuffles and the Lynwood Slim Band. He found his niche with the country blues when he moved his family to the North Shore, packed up the Stratocaster and broke out the Martin.
Gordon Thorne has been honing his blues skills at the Gunflint Tavern and other places up the shore for many years. He may have found the perfect partner in Bingham. They seem to read each other's minds and work off each other masterfully.
Bingham & Thorne received a standing ovation after their set at last month's Bayfront Blues Festival. This disc gets the same. Considering the talent and the material, that should be no surprise."
-John Ziegler, Duluth News Tribune